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For the villains, they normally demonstrate the characters' correct sociopathic, twisted desires.
For the heroes in the meantime, they normally
expose their Revenge Before Reason, Well-Intentioned Extremist wants to change the society and grownups that have wronged them they even awaken their
Personas by practically ripping a mask off their deal with.
Tales of Vesperia. After his FaceHeel Turn and subsequent redemption we get to see the individual at the rear of Raven's sleazy-egocentric-pervert mask.
Persona four is all about what we have driving the mask (the "shadow" self, both of those
in video game phrases and in Jungian psychology) and experiencing it.
The Big Bad Junko Enoshima shows numerous diverse personas with remarkably different sprites to match (the
very first activity has Royal, Dio, Punk, Smart, Kawaii, Gloomy, Monokuma, and Pervy, and the next activity provides
Playful, Doraemon, and Crying), but when confronted with a
thing they don't have an understanding of (typically Makoto), they promptly revert to a
monotone and neutral-expressioned sprite, which is implied to
be their real self driving all the persona switching (which they do just for
the exciting of it). Nagito Komaeda spends most of the second game's initially chapter as
an Ordinary High-School Student, substantially like Makoto Naegi- but when his
job in the initially murder is sussed out, he reveals himself as a dangerously unstable and obsessive
personal.